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Music by Mark Hollmann
Lyrics by Mark Hollmann and Greg Kotis
Book by Greg Kotis
Directed by Howard L. Miller
Musical Direction Dan Singletary
Choreographed by Lee Ann Payne
Produced by Jen Maggio & Tracy Coad
One of the most uproariously funny musicals in recent years, URINETOWN is a hilarious tale of greed, corruption, love, and revolution in a time when water is worth its weight in gold. In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits by charging admission for one of humanity's most basic needs. Amid the people, a hero decides he's had enough, and plans a revolution to lead them all to freedom! Inspired by the works of Bertolt Brecht and Kurt Weill, URINETOWN is an irreverently humorous satire in which no one is safe from scrutiny. Praised for reinvigorating the very notion of what a musical could be, URINETOWN catapults the “comedic romp” into the new millennium with its outrageous perspective, wickedly modern wit, and sustained ability to produce gales of unbridled laughter.
| AUDITIONS: |
Sunday, Jan 31, 2010 7:00 pm to 9:00 pm
Monday, Feb 1, 2010 7:00 pm to 9:00 pm |
| CALLBACKS: |
Tuessday, Feb 2, 2010 7:00 pm
Wednesday, Feb 3, 2010 7:00 pm |
| WHERE: |
Sunnyvale Community Theatre, 550 E. Remington Ave, Sunnyvale, CA  |
| PREPARATION: |
Be prepared to sing, dance, and act; dress to move. Bring sheet music in your key and prepare 16-24 bars to sing. No tapes will be permitted, as an accompanist will be provided. Please bring a recent photo or one will be taken for you for the fee of $1.00. |
| REHEARSALS: |
Sunday evenings from 6:30 pm - 9:30 pm, Monday through Thursday evenings 7:00 pm - 10:00 pm, beginning Feb 21, 2010. |
| TECH WEEK: |
April 11 - 15, 2010 No Conflicts! |
| PERFORMANCES: |
April 16, 17, 18, 22, 23, 24, 25, 29, 30, 2010
May 1, 2, 6, 7, 8 , 9, 2010 |
| EXPENSES: |
Refundable script deposit and personal items such as makeup and undergarments |
| ROLES: |
| Role |
Description |
Range |
Age |
| Hope Cladwell |
Cladwell's completely innocent and ravishingly beautiful daughter, torn between her love for her father and her new love for Bobby. A parody of the stereotypical Broadway ingénue. |
soprano |
18 – 25 |
| Caldwell B. Cladwell |
The president and owner of the Urine Good Company, a miserly moneygrubber who gleefully exploits the poor with his outrageous toilet fees. |
bass-baritone |
40 – 60 |
| Bobby Strong |
The dashing, noble young everyman who works for Miss Pennywise at the poorest, filthiest urinal in town; the eventual protagonist and romantic hero who starts a revolution, and falls in love with Hope Cladwell along the way. |
tenor |
23 – 30 |
| Penelope Pennywise |
The tough, jaded warden of the poorest, filthiest urinal in town. A shrewd, penny-scrounging cheapskate, Pennywise is a figure of authority and lives to maintain order at the public bathrooms. However, she has a deep, dark secret in her past that somehow involves Hope. |
belt |
40 – 60 |
| Officer Lockstock |
The tongue-in-cheek narrator of the story. A corrupt policeman who secretly kills off guilty peers. |
baritone |
35 – 55 |
| Little Sally |
A precocious, thoroughly irreverent and smartly funny street urchin; the narrator who always outsmarts Lockstock, and constantly questions the play's logic. |
mezzo |
16 – 30 |
| Officer Barrel |
Lockstock's partner. He harbors a surprising secret. |
baritone |
35 – 55 |
| Little Becky Two-Shoes |
One of the Poor; foul-mouthed, impulsive, pregnant, and suffering from polio. |
belt |
18 – 22 |
| Mr. McQueen |
Cladwell's sycophantic assistant/lackey. The ultimate Yes Man. |
tenor |
40 – 60 |
| Ensemble: The Rebels/ Police/ UGC Executives |
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N/A |
All |
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Also seeking Technical and Backstage Crew Members
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